Monday, July 18, 2016

Walker Art Center

http://schools.walkerart.org/arttoday/index.wac?id=2138

Writing through Art

Grades 4 - 12

Writing through Art uses contemporary art to engage students in writing activities. Beginning with the works of art, students will look carefully, think critically, and interpret what they see. The artwork then becomes an inspiration and prompt for writing essays, stories, and poetry.
Writing is a process that begins with thinking and brainstorming ideas and continues through composing, revising, editing, and finally publishing a finished piece. Writing through Art activities will first focus on generating ideas for writing, engaging in prewriting discussions and activities, and creating a first draft of an essay, poem, or other type of writing. The composing processes of revising, editing, and publishing will be continued in the classroom.

How do writers generate ideas for their work?
How do writers become inspired?
How are the processes of creative writing and creating art similar?



Gallery tour at the Walker Art Center
2003

Elements of Dance

http://www.artsconnected.org/collection/159081/walker-artists-and-the-elements-of-dance

Arts Integration

Multiple Means of Representation
The arts, in their many forms (dance, drama, music, visual arts, literary arts, and media arts), offer alternative means for representing information.

Arts integration offers a variety of ways for teachers to represent content through multiple learning modalities—visual, aural, and kinesthetic—and as a result, reach a wider range of learners. For example, in the visual arts, teachers use line, shape, color, texture, and form to represent content. In music, teachers use rhythm, melody, and sound patterns to represent content; and in dance, content is represented through bodily motion with varying forms of energy in space and time. In drama, teachers use both language and physical expression as a means of representing content.





Multiple Means of Action and Expression
The Creative Process Diagram
Arts integration engages students in the creative process which offers a universal pathway to learning. Students 1) imagine, examine, and perceive; 2) explore, experiment, and develop craft; 3) create; 4) reflect, assess, and revise, and 5) share their products with others. Through the creative process, students build and express their understanding of an area of study and the art form, using the wide variety of languages and formats that the arts offer. Each art form has a myriad of adaptations to accommodate various learning needs5

The creative process is accessible to all learners. It’s flexible and can be altered and adapted to fit an individual student’s needs. Students can enter the process at different places and move within it at different rates and in different sequences. While the creative process is flexible, it is not unstructured. Students plan and carry out strategies to reach a goal. Throughout the creative process students monitor their progress and make adjustments along the way to better reach a goal.

Identity Boxes

https://artsedge.kennedy-center.org/educators/lessons/grade-6-8/Identity_Boxes

https://artsedge.kennedy-center.org/educators/lessons/grade-6-8/Identity_Boxes#Instruction

Elements of Ballet/Lesson Plan

https://artsedge.kennedy-center.org/educators/lessons/grade-6-8/Elements_of_Ballet#Instruction

Writing and Art


Author's Word Choice     Artist's Brushstrokes, Color, and Medium Selected
Author's Point of View     Artist's Perspective
Author's Purpose     Artist's Purpose
Author's Main Idea     Artist's Subject
Author's Setting-time, place
     Artist's period, time, place







  1. Discuss the art in general terms of analogy and metaphor. Seek examples of specific paintings and how they demonstrate communication of an idea or feelings. Develop a literary term for each of the terms used to analyze the art form. 

  2. Title _________________
    Artist_________________ (Author)
    Time painting was done __________________(setting)
    Brushstrokes _______________ (words,genre,style)
    Lines ______________________ (style, form)
    Colors______________________ (word choice, style)
    Shadings ___________________ (inferences)
    Shadows ____________________ (inferences,opinion)
    Perspective _________________(point of view, bias)
    Focal Point _________________(point of view)
    Background __________________ (setting)
    Subject of painting _____________ (main idea)
  3. Discuss this as a prewriting framework. Talk through, verbally model, how these ideas can shape a discussion of art as a means of communication, comparing the similarities between writing and painting-both the artist and the author are portraying an idea, images, a story, and/or an opinion.
  4. The students will use this framework to express their thoughts about ways in which the process of writing is similar to the process of creating art, using the transitional, comparative vocabulary developed for the class word bank.
  5. Introduce the Compare & Contrast Map, and demonstrate how students can use the online graphic map to organize their ideas.
  6. Using examples from the nonprint media they have studied, and perhaps examples from literature, ask students to write a compare and contrast essay. Allow time for them to revise, edit, and type their essays.

STUDENT ASSESSMENT/REFLECTIONS

Impressionism was inspired by the music of Modest Petrovitch Moussorgsky who translated Russian literature into musical genres. Understanding of the similarities between the creative processes of composition—writing, art, and music—could be assessed through extended synthesis, after listening to Moussorgsky's "Pictures at an Exhibition" (Maurice Ravel's 1922 orchestration). Student responses could be noted through contributions to a large group discussion or reflective journal entries (written or drawn).

The students' written responses to the painting (or other art form) can be assessed with a rubric based on:
  • their use of transitional and comparative words (e.g. alike, similar to, close to, both, also, not only, therefore, consequently, next, in fact, still, besides, finally, furthermore, consequently).
  • their inclusion of literary terms applied to the non-print media (see previewing and prewriting handouts).
  • evidence of careful editing and proofreading.
Students could be given the option to demonstate their understanding by creating an original art form—computer generated, mixed media, musical piece or mix, etc.—accompanied by a written piece that could be used as a gallery print release about a "newly recognized artist". The written piece would address the artist's perspective/point of view; choice of media; purpose; focual point/main idea; and technique. These pieces could develop into a classroom or school exhibit—a form of publication.

Monday, July 11, 2016

Why Art?

Imagination
AGENDA:
1. Review course criteria/lab procedures and rules
3. Discuss the following excerpt and questions:
https://www.youtube.com/watch?v=1M5hs6ahcKU
"By awakening our imagination, art intensifies and complements our own experience. Art represents people, cultures, values, and perspectives on living, but it does much more. While bringing us pleasure, art teaches us. While reading or contemplating a painting our minds go elsewhere. We are taken on a journey into a world where form and meaning are intertwined.
Form matters and gives pleasure. How a work of art is organized — its technique, its verbal or visual texture, its way of telling — gives pleasure. So does the inextricable relation between form and content. The form of imaginative art, as well as the form of well-written non-fiction, organizes the mess (if not the chaos) of personal life as well as that of external events. Form not only organizes and controls art but also other bodies of knowledge within the humanities. Form imposes structure that our own lives — as we move from moment to moment through time — may lack.
Narrative — sequential telling — imposes form as it orders and gives shape. Indeed, in the sense that each of us is continually giving shape to the stories we tell to and about ourselves, there is continuity between what we read and see and our own lives. Put another way, what we read teaches us to find narratives within our own lives and hence helps us make sense of who we are. Our seeing shapes and patterns in stories and other kinds of art helps give interpretive order — in the form of a narrative that we understand — to our lives. We live in our narratives, our discourse, about our actions, thought, and feelings.
While there is always a gulf between imagined worlds and real ones, does not the continuity between reading lives and reading texts depend on our understanding reading as a means of sharpening our perceptions and deepen our insights about ourselves? Reading is a process of cognition that depends on actively organizing the phenomena of language both in the moment of perception and in the fuller understanding that develops retrospectively."
Daniel Schwartz, Huffington Post

Aesthetics/So Why is this Art?

http://schools.walkerart.org/swita/


The nine key questions are:
1. What is art?
2. Should art be beautiful?
3. Does art have to tell a story?
4. Should art be realistic?
5. Which comes first, the art or the idea?
6. Does art express emotions?
7. Is art an object or is it a process?
8. What is the difference between art and popular culture?
9. Can art change society?

Questions in Aesthetics

(a partial list for the course and for your project):

Elements and Principles of Design





http://www.artsconnected.org/toolkit/index.html


Image result for principles of design

Thursday, July 7, 2016

Writing Territories










Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer. ~ Barbara Kingsolver


In Collecting Your Writing Territories, Consider . . .

memories: early, earlier, and recent                                favorites, now and then

obsessions                                                                    pets, now and then

idiosyncrasies                                                               teachers, now and then

problems                                                                      places: school, camp, trips, times away with friends and relatives
dreams                                                                         hobbies

itches                                                                            sports

understandings                                                              music

confusions                                                                    games

passions                                                                       books

sorrows                                                                        poems

risks                                                                             songs

accomplishments                                                           movies

fears                                                                             writers and artists

worries                                                                         food

fantasies                                                                       pet peeves

family, close and distant                                                beloved things-objects and possessions, now and then
friends, now and then                                                    all the loves of your life

fads




                                                       Adapted from Lessons That Change Writers by Nancie Atwell

Other ideas:

http://smoran.ednet.ns.ca/writing/writing_territories.htm

Welcome/Classroom expectations

Welcome to CW7


1) Treat others as you would like to be treated.  RESPECT ALL NOUNS (People, objects, ideas)

2) Respect other people and their property (e.g., no hitting, no stealing).

3) Laugh with anyone, but laugh at no one.

4) Be responsible for your own learning.

5) Come to class and hand in assignments on time.

6) Do not disturb people who are working.

In addition:
No food or drink in classroom or computer lab.

No cell phones.